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A fossilized skeleton is rarely 100% complete. Yet, the skeletons we see on display in museums are usually complete from head to toe. Where do the missing bones come from? Stephen Godfrey with adult Jobaria ribs
Photo ©
Stephen Godfrey

By day Stephen Godfrey is a curator of paleontology. By night, Stephen is a skeleton carver. Equipped with a simple file and potters tool in hand, Stephen has carved in foam some of the biggest fossil vertebrate bones discovered to date - including bones of Brachiosaurus. Completing broken or eroded bones, reversing bones (taking a bone from the left side of the body and carving a matching one from the right side of the body), creating adult-sized bones using juvenile bones as models, and carving foam bones from scratch are all on Stephen's roster of sculpting activities.

In the case of the 40-foot long, 110-million year old crocodile named Sarcosuchus, the missing pieces are brought into being by Stephen Godfrey, a man who merges the observational skills of science with the handcraft techniques of an artist.

Most recently Stephen has been working with Paul Sereno's team to put Sarcosuchus back on its feet. The 2000 Niger Expedition team unearthed a complete skull of Sarcosuchus and nearly 50% of the skeleton. Bones from three main sites were compiled to create the life-sized skeleton unveiled on October 25, 2001.

 

Making The SuperCroc
Visit sculptor Gary Staab's web site to see how the flesh model of SuperCroc was created.

Croc Queries
Starting November 16, Dr. Sereno will answer questions online! You can submit questions now - and check back for his answers.
Click here to read questions and answers

Project Exploration
Press Release

"SuperCroc project brings kids up close for a look at science in the making"

National Geographic's SuperCroc web site

 


Stephen Godfrey grew up in the Province of Quebec, Canada, the middle of five children. He received his BSc in Biology from Bishop's University and completed his PhD at McGill University in paleontology. Stephen has worked at the Calvert Marine Museum, near the Chesapeake Bay, Maryland for nearly four years. He has four children.

I spoke with Stephen in Bozeman, Montana, at the Society of Vertebrate Paleontology Meeting in October 2001, about how he came to combine his interests in sculpting and paleontology, and about what was involved in building the skeleton of Sarcosuchus.

Q: What is a typical day like for you at work in the museum?
A: Every day is different. I have the best job in the world because I get to work with fossils - find research, and interpret the nifty remains of extinct animals. Right now we're working a quarry that preserves fossil whale or dolphin remains. I also get involved in research for new paleo exhibits.

Q: How did you get interested in paleontology?
A: I was always fascinated with living creatures and their natural history. When I was a teenager I wanted to have my own natural history museum. So I made my own - we put up wooden shelves - and soon they were covered with minerals, fossils - I had pinecones from all over the world. I would even collect road kill, let the maggots finish them off and then I'd reconstruct the skeletons.

In addition to having an interest in natural history I liked art. In order to keep us from becoming a bother in church, my parents would allow us kids to bring plastercene and I'd sculpt tiny "cartoon" busts of the people around me - including the minister. While at college I took courses in pottery and I'd sell pottery in the summer to make money.


Stephen with Dimorphodon
Photo © Stephen Godfrey

 
 
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